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We are, we Are. We are Cultivate, Cultivate, Cultivate, Cultivate, Cultivate, Cultivate,
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we Are Cultivate.
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Hello, and welcome to Your Crime, where we discuss the funny, strange,
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and obscure crimes of yesteryear. I'm your host, Lindsay Valenti,
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and with me today instead of my sister is author
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and podcaster Kate Winkler Dawson. Kate is a seasoned documentary
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producer and podcaster who's hit podcasts Tenfold More Wicked, Wicked Words,
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and Buried Bones appear on the Exactly Right Network. She
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is the author of Death and the Air, American Sherlock
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and All That Is Wicked, and is a professor of
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journalism at the University of Texas at Austin. Today, Kate
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is joining us to discuss her latest book, The Sinner's
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All Bow, which is set to be released January seventh.
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Acclaimed journalist, podcaster, and true crime historian Kate Winkler Dawson
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tells the true story of the scandalous murder investigation that
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became the inspiration for both Nathaniel Hawthorns, The Scarlet Letter,
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and the first true crime book published in America. On
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a cold winter day in eighteen thirty two, Sarah Maria
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Cornell was found dead in a quiet farmyard in a
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small New England town. When her troubled past and a
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secret correspondence with charismatic Methodist minister refriend f from Avery
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was uncovered, more questions emerged. Was Sarah's death a suicide
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or something much darker? Determined to uncover the real story,
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victorian writer Catherine read Arnold Williams threw herself into the
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investigation as the trial was unfolding, and wrote what many
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claim to be the first American true crime narrative, Fall River.
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The murder divided the country and inspired Nathaniel Hawthorne's The
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Scarlet Letter. But the Reverend was not convicted, and questions
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linger to this day about what really led to Sarah
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Cornell's death until now. In The Sinner's Albaugh, acclaimed true
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crime historian Kate Winkler Dawson travels back in time to
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nineteenth century small town America, emboldened to finish the work
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Williams started nearly two centuries before, using modern investigative advancements,
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including forensic not analysis and criminal profiling, which was invented
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fifty five years later, with Jack the Ripper, Dawston fills
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in the gaps of Williams's research to find the truth
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and bring justice to an unsettling mystery that speaks to
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our past as well as our present, anchored by three
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women who subverted the script they were given. So, Kate,
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welcome to the podcast.
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Thanks for having me. I appreciate it.
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So before we kind of dive into the book, what
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got you into writing?
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Oh boy, I think in high school I had an
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English teacher who thought I was a pretty good writer,
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and I didn't know what kind of writing I wanted
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to do, and she did something really interesting. Well, I've
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told this story enough where I really should reach out
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to miss Darrell and tell her thank you for this.
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I mean, I keep talking about her. Jane Darrell in Austin,
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she decided that everybody in all of her ninth grade
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students needed to learn how to interview for a job
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like an internship or anything McDonald's wherever you wanted to be.
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So she brought in all of these people who were
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in the professional world who were friends of hers, and
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one of them was a guy who managed a radio
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station here in Austin, and so he did a fake
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interview with me to you know, be an intern, and
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then at the end of the interview, I guess he
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thought I did a good job, and he said, do
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you want to like actual job as an intern at
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my radio station?
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For sure?
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And so then I ended up shifting over to television.
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And then I almost like, I almost had no choice
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but to write news because at fifteen, you know, in sixteen,
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I was hired as an editor at the ABC station here.
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At that age, I was so used to being told
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what to do still by my parents, Oh right, right,
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journalism okay, and Harry go, I'm gonna write journalism now.
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So it was so I was pretty like pitcheonholed from
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the very beginning, and then of course I loved it,
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thank goodness. So Ketch, that's the lesson for any of
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your listeners who you know, have kids. It's like, man,
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catch them early, try to get them. Trying to get
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my girls to do that. Figure out now, because that's
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what keeps you out of trouble in high school. Kept
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me out of trouble because I just said, I definitely
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want to do this. I'm not going to screw it
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up by doing something stupid exactly.
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That's The struggle I have with my sixteen year old
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is she doesn't know what she wants to do either,
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and it's hopefully she'll figure it out sooner rather than later.
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Oh yeah, you know, So what inspired you to investigate
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the focus of the story, which is the case of
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Sarah Maria Cornell.
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You know, my other books have been very male centric,
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which is sort of odd for me because I really
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do gravitate towards female centric stories. But these three the
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first three books, Looney Tune, serial Killer, Stuck in a
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Fog was my first book. The second one was about
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a forensic scientist, American Sherlock, and then the third one
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was about you know, Edward Rulov, who was a genius
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but not at getting away with crimes. So for this
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fourth book, I thought, I really need a woman at
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the center of it. And I write an awful lot
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about men killing women. And I had a listener when
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I was when I had Tenfold the podcast Tenfold More Wicked,
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I had a listener reach out to me and said,
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you need to look at the Haystack murders, and so
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I googled it and I found Sarah's story That is
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not the Haystack murder she was talking about, there's a
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completely different haystack murder that happened one hundred years later
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in Kansas. I think. So, you know, I I when
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I read Sarah Cornell's story and I just sort of
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realized how similar it is to stories today. I mean, really,
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if you break down her story, she is a woman
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who you know, is pregnant and she wants to do
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what's best for her child, and she is demanding rights,
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and then she ends up dead. And we know that
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women are out their most vulnerable when they're pregnant. Statistically,
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they just are vulnerable for being murdered. So you know,
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when I read that story on the podcast that I
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have with Paul Holes, buried Bones, we talk about it
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all the time. Man, this just seems like this could
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have happened last week. This would have happened to a
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modern day woman. Absolutely, So to show that, you know,
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as as a story of the Sarah Maria Cornell being
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the inspiration of course for hester Prnne with the Scarlet letter,
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and how much that resonates in. What to me was
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terrifying about that story was, you know, I'm looking for heroes,
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and I love looking for women heroes. In these stories,
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and I found them with the women who recognized that
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she had not taken her life most likely that she had,
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you know, had violence put upon her. But then the
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villains of the story, really the villains, the true villains
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to me, were women, and the awful people who took
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the stand us destroyed her character for you know, the
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sake of protecting a really sleazy guy. So there was
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a real for me, a real mixed bag. I was
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so proud of some of the women in the story
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and completely disgusted by other women.
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Exactly as I was reading the book and you're discussing
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the trial and like the testimonies and stuff, I physically
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went like throughout the book, just like so disgusted with
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some of the things these women were saying about her,
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And I'm like, why, you know, So it's.
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Yeah, well, I mean, you know, you saw in the
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book that I interviewed a woman who an attorney who
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represents victims of sexual harassment, and she read the whole
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transcript of everything that the defense said about Sarah Mario Cornell. Basically,
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she's a slut, she's a thief, she can't be trusted,
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she was miserable, she set him up and took her
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own life to frame him. And you know, the attorney
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in the book said, I mean this is sort of
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like flowery eight, you know, nineteenth century language. But this
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is this is absolutely something that would come out of,
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you know, a court case today. It wouldn't be allowed
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into most courts. But that is the thought process that
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is used by the defense that she deserved it or
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she was vindictive defense.
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In the book, you note that your co author is
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a woman named Catherine Read Arnold Williams. Can you tell
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us a little more about her and kind of the
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part she plays in this story as well.
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Yeah, so it's interesting to have this kind of a
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co author. She's a single mom poet turned journalist and
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you know, making her own way kind of through this world,
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trying to raise her daughter, you know, by selling books
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and doing a great job. And she hears about the
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story of Sarah Maria Cornell and decides that she wants
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to write a book about it, and she has all
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of this amazing access and I you know, I read
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her book about the story in the trial, and I
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thought this would be a fantastic co author. Of course,
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you know, the trick is that she's been dead for
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one hundred and fifty years. Yeah, she wrote she wrote
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the country's first true crime book, to me, which is
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a stunning revelation for me to have because you know,
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I think conventional wisdom is that Capodi wrote kind of
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the first mainstream you know, in Cold Blood, which I
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have a whole issue with. And then you know, really
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crime historians know about Edmund Pearson, who I adored, who wrote,
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you know, in the nineteen twenties, and he wrote throughe
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crime books. He really, to me, was sort of that
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the beginning of that genre. But Catherine Williams decides in
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eighteen thirty three that she's going to take up this case.
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She was so disgusted with the way that Sarah Maria
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Cornell was being treated after she died. I mean, quite frankly,
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she hated the Methodists. The Methodists were wild and out
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of control, and Catherine Williams was a very conventional Christian woman,
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very conservative, and so it was an it's an interesting
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juxtaposition for her to take up a case of a
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woman who you know, is being framed as promiscuous and
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deserve to be you know, to die is unusual. I mean,
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Catherine Williams came from a very very well known family,
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the Arnold family. Yep, so you know, to kind of
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have her as this co author where I was able
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to use all of her materials. She has an archive
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at Brown University. I've read. I met her descendant. It
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was her great granddaughter, a great great granddaughter who was
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just amazing and gave me, you know, access to letters
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I had never I had never even heard of before.
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So you know, the flip side of that is is
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I have all this modern technology. I had access to
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prosecutor notes that she had not. She had died by
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the time the notes from the prosecutor were released, so
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I had information she didn't have.
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It's interesting and I have to like go back and
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put on the lens of what it was like in
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history at that time, because as soon as I read
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about the Methodist I was like Methodists, like, they're really
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not that crazy, Like I was raised Methodist and I
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was like, well what, I was like, what they just
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sing a lot?
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And then I no, I'm reading this story. I was.
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I was like, apparently they were much more wild and
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crazy back back in the day. But you know, so
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it was even for me. I was like I can't
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even like fathom this weird sub sect.
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Like which as there would have would.
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Have been super shocking coming from like a Puritan lens
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as well. So it's so it's like night and day.
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Somebody asked me what was the most surprising part of
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the book, and I said, I mean that the Methodist
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who drink rape juice had these tent revivals where there
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was literally something called a tent baby because people got
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pregnant so often they called them tent babies. And you know,
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I just it's so hard for me to believe that
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they were as evangelical as they were. I will say this,
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this was really funny. I should give this, you know,
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I thought about I talked to this woman who interviewed
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me this morning, and she said that she had known
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American sign language and she said the sign for American
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sign language for Methodists is rubbing your hands together. And
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she said, I never understood the significance of it. The
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significances of it was she said it was meant to
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show great enthusiasm. It's a very old sign. And so
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she said, that explains it. Your book explains why great enthusiasm,
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because she said modern Methodists, I'm not quite sure that enthusiastic,
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but she said they were obviously in the eighteen hundreds,
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and she said that the sign is a very old sign.
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So it's funny you don't understand the origin of certain
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phrases and everything. But she said, now that makes sense
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because I did not think they were enthusiastic, but apparently
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they were.
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Way back in the day. They were ragers.
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Apparently, Yeah, shocking, Yeah, and it horrified Catherine Williams, who
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was just a very staunch Episcopalian, you know, quiet and demure,